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- scale length: 24.6~25.5″ multiscale
- top: Adirondack Spruce
- back & side: Pomele Bubinga
- body
- low bout: 15 1/4″
- depth: 4″ at end block, 3 3/4″ at neck block
- Manzer Wedge: 4 5/8″(treble), 3 1/2“(bass)
- binding: figured Koa with strip
- back strip: none
- bevel: arm bevel, knee bevel, rib bevel (figured Koa)
- cutaway: Venetian(round cutaway)
- rosette ring: Paua Abalon with BWB
- neck
- khaya
- tuner: GGM6CSMB tuner, chrome w/black plastic button, 3L/3R, 18:1 510 mini
- Talus angled neck joint, 14fret joint(bass side)
- Mortise & Tenon bolt-on
- ( Cumpiano’s hardware-based neck joint, Hex Key:(5/32,9/64))
- Double Graphite Rod reinforcement
- Two-Way Truss Rod , Hex Key: 4 mm (5/32″)
- fingerboard
- Macassar Ebony, round-off tongue
- binding: Ebony with Maple Strip
- inlay: none
- fret wire: StewMac #149, 18% nickel/silver, titebond
- head stock
-
headstock overlay:
- top: Macassar Ebony
- back: Macassar Ebony
- headstock binding: Ebony with maple strip
- decal: “y ” , mother of pearl
- bridge:
- Macassar Ebony
- bridge pin: Ebony
- end wedge, heel cap: figured Koa
- sound port: none
-
nut & saddle
- bone
- traditional nut
- 1/4″thick
- nut width: 1 3/4″
- string spacing at bridge: 2 5/16”
- fingerboard width at 12th fret: 2 1/4″-1/32″
- finish: Mohawk Nitrocellulose Gloss lacquer/Vinyl sealer
- string: light gauge
- Hard Shell Case: Hiscox PRO-II 000/OM
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