#194 Talus multiscale

  • scale length: 24.6~25.5″ multiscale
  • top:        Paulownia
  • back & side:   curly Maple
  • body
    • low bout:        15 1/4″
    • depth:        4″ at end block, 3 3/4″ at neck block
    • Manzer Wedge: 4 3/4″(treble), 3 1/2-“(bass)
    • binding:    figured Koa with strip 
    • back strip: figure Koa  withMaple, Walnut strip
    • bevel:     arm bevel, knee bevel, rib bevel  (Figured Koa)
  • cutaway:  Venetian(round cutaway)
  • rosette ring:      blue reconstructed stone with BWB
  • neck
    • side dot: white plastic
    • Talus angled neck joint, 12fret joint(bass side)
    • Mortise & Tenon bolt-on
    • ( Cumpiano’s hardware-based neck joint, Hex Key:(5/32,9/64))
    • Double Graphite Rod reinforcement
    • Two-Way Truss Rod (Hex Key:9/64)
    • fingerboard
      • Macassar Ebony, round off tongue
      • binding:        Ebony with Maple Strip
      • inlay:        blue reconstituted stone 5th, 12th(double)
      • fret wire:        StewMac #149, 18% nickel/silver, titebond
  • head stock
    • headstock overlay:
      • top:  Macassar Ebony
      • back: Ebony
    • headstock binding:    Ebony with maple strip
    • decal:        “y ” , blue reconstituted stone
  • bridge:
    • Ebony
    • bridge pin:        Ebony
  • end wedge, heel cap:        Figured Koa
  • sound port:  none
  • nut & saddle
    • bone
    • traditional nut
    • 1/4″thick
    • nut width: 1 3/4″
    • string spacing at bridge:        2 3/8”
    • fingerboard width at 12th fret: 2 1/4″-1/32″
    • saddle :        1/8″ thick
  • finish:        Mohawk Nitrocellulose Gloss lacquer
  • string:   light gauge
  • Hard Shell Case: Hiscox PRO-II 000/OM